#Hashtags

31 Jan

#Hashtags: The Culture of the Copy






From Daily Serving:

#Hashtags: Viral Thoughts on Politics, Arts, and Culture

“Cameras are the antidote and the disease, a means of appropriating reality and of making it obsolete.” – Susan Sontag

In her 1977 essay, “The Image-World,” Susan Sontag wrote that the practice of photography – and the overabundance of images that come along with it – leave us desensitized to the “real” world. Despite the fact that photographs are considered traces of their subject, we typically see photographs as independent, material objects – separate from their original subjects and somehow more palatable. They even occupy a specific moment of time, different from our own, turning the present into the past and the past into the present.

But Sontag was writing about the role of the photograph as she knew it, which never included sculpture, or photographs functioning not just as traces of objects but as actual simulations, or three-dimensional copies. The last year has seen a rise in artists working with photography in sculpture, with more than a few of these artists choosing to juxtapose “real” objects with their 2- or 3-dimensional, photographic copies. Is there a difference between images functioning like this in the world and “the image-world” that Sontag describes? Or are they one and the same?

Check the link for the full article.

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